My father comes from a generation of film that actors my age don't even know about, which is really sad.

People in real life cuss God out when they're angry. That's all real.

I've been kind of submerged in my own little geographic location for a really long time in Venice Beach.

But I didn't even see God in the show as being very spiritual, I see him or her, it, as being something that is just relevant and very important in her life.

My advice is to make acting your second career choice.

I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women.

I have tons of jewelry. I like to wear a lot of it.

My father comes from a generation of film that actors my age don't even know about, which is really sad.

I could never say that one religion is wrong. I could never say that this person's God is wrong, I could never say that someone is wrong because they don't believe in God.

I remember when I first started in the business, I lost a lot of friends. Some were jealous, some were annoyed at the fact that I was an actress.

Other people like Neil Young and Dennis Hopper, those are just really close knit family friends.

And one of my other friends could not believe in God if he came down and tapped her on the shoulder. She's a biologist - a student at UCLA - and I don't judge her either, because I really believe that God is a personal opinion, and only that.

A business like acting is 90% luck. You can be a star one minute and out of work the next.

If it comes back, I think that Friday night is not a good night to be on.

People who have seen me read usually come up afterwards and invite me to be a part of something.

I think I relate to all the characters in one way or another. I'm a chameleon like that.

I haven't had a lot of celebrities around me growing up.

I think any time you have too much education in one certain field, that can sometimes play against you.

A lot of people think I'm cynical when I talk about acting. The truth of the matter is, I just don't want someone to get some lame advice that will send them in the wrong direction.

This will be the fourth time I've seen this film. I'm very proud of it and I think it's a great movie for women of any age. And almost every single man I've talked to has admitted to crying.

I think I had an advantage in the sense that I wasn't raised religiously.

My own personal connection with God was not in a religious sense, so I wasn't really thinking in that way when I got the role and when I started doing it.

Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.

One of my good friends is Christian, goes to church every Sunday, very religious. I'm fine with that and I will never judge her.

I tried not to make God this big deal in Joan's life. She treats God like a friend: she's nice to him some days, and other days mean, and then cries when she needs help.

My parents cultured me a lot and they introduced me to a lot of artists, a lot of their friends.

If you believe that God put you here to act, then you have to be different. Go into casting offices, with something other girls don't have.

A lot of young poets today, from what I've heard and experienced, can't get their heads past George W. Bush, and I've heard so many poems about this democracy and this era of politics that I'm kind of bored by it.

I liked the humor of it, I've always enjoyed a sense of humor in God and in religion and in spirituality.

Honestly, I am not trying to discourage anyone from becoming an actress, but if you want to become one be prepared to face everything that comes - along with it.

I think that people are definitely interested in the idea that Joan has conversations with God.

I don't think it's always good to read lots of poetry.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.