Jazz, rock and roll, movies and comics are the culture of America.

Zippy accepts chaos as what it is, which is the real order of everything.

Comics is a language. It's a language most people understand intuitively.

The down side of Americans being obsessed with pop culture is that they kind of like it light.

I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips.

Well, I've done a lot of strips since I've been here about Zippy and me being in Connecticut.

Unfortunately what came out of it was also kind of an imitation community with a lot of mindless conformity.

Yes, but personally I was never a big acid head.

Are we having fun yet?

Everybody that loves Nancy loves it in a slightly condescending way. Nancy is comics reduced to their most elemental level.

When drugs came around I sampled them just like anybody else but I never became dependent creatively on drugs; like various cartoonists in the underground never did anything if they weren't stoned, That was the prerequisite for sitting down and drawing.

What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.

If something is going on in my life, it winds up getting into my strip.

When I was an art student in the early 60's before the acid scene began I was smoking pot just like anyone else who was an artist.

A full, rich drawing style is a drawback.

Zippy is living in the moment.

Their scrambled attention spans struck me as a metaphor for the way we get our doses of reality these days.

I always thought of Levittown as a joke.

I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

My first character was Mr. Toad.

I had a very diametrically opposite set of parents.

Jazz, rock and roll, movies and comics are the culture of America.

I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.

Mike Judge, who I've become friends with over the years never took himself seriously as an artist.

Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.

I just became one with my browser software.

All life is a blur of Republicans and meat.

I had a mixture, my father was a career army man and my mother was a writer.

Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.

I think Zippy is part of me, but I'm not Zippy.

Frivolity is a stern taskmaster.

But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.