I make movies based on gut.

I still that that movie-goers like the experience of leaving their homes and going to have a communal experience, especially in comedies or interactive things where you can get an audience reaction to.

But once we got them on its feet then they run themselves, unless there's corrections you have to make.

Definitely, it's a fear of failure that drives me.

Well, I don't look back and celebrate. I just always worry about the next one.

And usually the studios they don't want you to have credit for your movies because they want to take credit for the movies because if you get credit for your movies they've got to pay you more.

I only make movies I want to go see.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

The whole world has changed after September 11th.

Sometimes we'll only get one script in a year that we want to make that we feel is good enough.

Dramatics are what keep you in the seats.

If I knew what makes a movie catch on then I'd make hit after hit.

In TV we've used something that I love... it's called process. I love process.

I love entertaining people and this is entertainment.

Because you can't do anything halfway, you've got to go all the way in anything you do.

What I do is try to stay away from the hot subjects.

Our military thought that they couldn't get to Pearl Harbor, that it was too long a journey from Japan to get there, and they proved us wrong.

If you have a crisis, whether on a ship or wherever, there are heroes who rise above it.

A lot of it had to do with when it's released and what's out in the marketplace, what's its competition.

We need a very strong military to protect the freedoms we do have.

Yeah sure, I'd love to have all my movies on DVD.

I just don't know what makes a movie catch on and other ones don't.

It's very difficult to release an X-rated movie.

I think we look to the military as something that protects our shores.

Although, I think you look back and you try to learn from your mistakes.

We know as filmmakers where you draw the line.

I like to make pictures about people who make a difference.

The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.

I make movies based on gut.

I mean if you put all of your eggs in one basket, boy, and that thing blows up you've got a real problem.

I don't make movies because I think audiences will want to go see them.

There are a lot of movies that inspire me to do what I do.

I love taking you inside a world that you're not apart of and showing how actually works.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.