In certain ways it is incredibly damaging considering the stuff I did before certainly wasn't for kids.

Ever since I'm done with Zim everyone thinks that I'm going to go back to comics. I've been flooded with emails asking me if I'm working on the new Johnny over and over again.

I love the show and a lot of what came out of it, like some of the people I met and got to work with, but those were truly some of the unhappiest days of my life.

I don't particularly dislike any kind of person that might be reading my stuff. They like it and that's cool, but I don't do the work for any kind of group in particular, except for hobos, who just plain kick ass and light up my life.

At this very moment I'm behind on a compilation that Slave Labor is doing for Free Comic Book Day.

Why does this person who is sitting behind a desk and never watches cartoons is arguing about what cartoons should be like. Its so creepy realizing that this person is a lunatic.

I don't want little kids reading my comics.

I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.

I'm definitely incredibly attracted to the aesthetic of what is typically deemed goth stuff, but. A lot of my experience growing up was in being around that kind of thing, and it's just what sinks into a person's brain.

I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation.

All the power to them but I'm not interested in making yet another show that looks like some other show.

But I couldn't draw as fast as she requested. Thus, I tried to create the worst abomination of a comic that I could, so as to make her not want comics anymore. That abomination, my friends, was Happy Noodle Boy.

I think there is something a little too self conscious about enjoying being an outsider.

It's sort of what the Johnny and Devi stories are about, the idea of always being a slave to something.

But now I have a lot of little kids who watched Invader Zim whenever they could find it on television.

Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.

In certain ways it is incredibly damaging considering the stuff I did before certainly wasn't for kids.

When I'm writing the book I'm laughing at just how overblown the characters seemed. How full of himself he seems. But I didn't get far enough in the series to really drive the joke of it home.

Goth culture, as mired in the past as it is, even it goes through changes, so Goth when I was growing up is not what it is now. When I think of Goth culture as it is at the moment I think of mall culture.

I'm just doing little bits and pieces for other magazines right now.

After doing Johnny I wanted to just do something, I wouldn't say innocent, but to not have any care in the world. Lots of setups and horrible happenings but its funny.

Because of the audience I get and the fact that these people aren't traditional comics buyers I don't think the comic industry looks at that and thinks that is a very respectable thing. I'm very used to it. I'm not the guy who wins awards and gets mentioned in magazines.

I could go through a lot of my old emails from when I first started doing comics. Back then the lowest age of fans was like 15 or 16 up to people in their 20's and 30's.

As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.

I don't really get hate mail, which surprises me, but people have better things to do than to write hate mail to somebody who writes a book about hating everything, I guess.

In pre-school, I was drawing dinosaurs - I was huge into dinosaurs. I wanted to be a paleontologist, not a cartoonist or a filmmaker or anything like that - just a paleontologist. So I would draw dinosaurs.

It's cool that people like what I do, but I don't work for the audience.

Its a frightening world to be alone in.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

I didn't do the typical things that young kids do.

My kids enjoy the Disney program, Lizzy McGuire.

I want to spend more time with those kids. I want to dedicate my time to train those kids and teach them what it takes, what they need to do to get to this level.

I think having eight kids evens things out a bit. You learn about the world; you learn about the world; you learn you've got to get along. We're all - if anything - very adjustable.

We're parents first, and once you have kids, everybody knows that you have priority lists. Number one is your family and everything else just kind of finds its place.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

If kids like a picture book, they're going to read it at least 50 times. Read anything that often, and even minor imperfections start to feel like gravel in the bed.

Sounds so silly, but I want to accomplish getting my kids through college.

And there's a lot of that stuff with people bringing their kids, kids bringing their parents, people bringing their grandparents - I mean, it's gotten to be really stretched out now. It was never my intention to say, this is the demographics of our audience.

It's up to each person's parents whether they think it's too frightening or too violent, how much their kids can handle, what they want to teach them, what they want to show them.

For kids it's natural to be competitive.

I'd hope to reach any kid who feels apart from the group - those who seem to be outsiders, who feel different. Kids who want to reach their parents often don't know how to do so.

So, not only am I panicking over the weekend if I need to know my lines, but also if can I get the kids to the zoo. Can I even go to church? I was asking for certain things that would allow me to plan my life a little better.

The real question isn't whether you love your kids or not, but how well you are able to demonstrate your love and caring so that your children really feel loved.

Young kids are taking Viagra, ecstasy. They even want instant sex.

I think women are natural caretakers. They take care of everybody. They take care of their husbands and their kids and their dogs, and don't spend a lot of time just getting back and taking time out.

The Professional Children's School, it's for professional kids, so if you wanted to ditch, you could just write, Audition on a note and leave. I didn't really like school all that much.

I mean, obviously, a lot of people know me around the world. Kids know me.

My kids act all the time and it's exactly what I used to do.

I'm doing naughty things, I'm drinking too much, I'm going to clubs. It really didn't matter to me, other than the fact that some parents wouldn't let their kids hang out with me.