I'm right at a time when I'm strongly finding my identity inside of my work.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I'm challenged by people like Russell Crowe and Sean Penn who come in with such incredible discipline and power.

I had a Southern accent but I had broken it so hard.

I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite.

I want to be so strong as an actor that people wouldn't say... eh, that's Josh Lucas.

I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.

Always do something different. Always different things.

I got so used to being unstable that I started to only be comfortable being unstable.

On A Beautiful Mind, there was a wall of math.

It's funny, but we were living on this small island off the coast of Charleston, South Carolina when I was 9.

There's such good people out there where there filmmaking world is alive.

I've worked with some incredibly difficult directors but my understanding is that a lot of the best people are driven from a place of being extremely challenging and dark within their way.

I think actors become jacks-of-all-trades and masters of none.

I visited those friends who'd just had a baby, and she was washing dishes and he was cleaning the house, and I burst with happiness. And in their minds, they were in this terrible domestic rut.

I'm right at a time when I'm strongly finding my identity inside of my work.

When I was on that boat, I realized the only way I would feel creatively challenged was if I totally changed everything about my environment and put myself in a storm, in a sense.

I love experiencing other people's realities, seeing the world through their eyes for a short period of time.

My instincts are not comedic.

This fear of death infused me with the desire to live, and to live harder.

The Hulk, that was the experience of my life, so far.

I had friends of mine tell me they had a baby, and I didn't even know they were pregnant.

Every day is intense and alive, whether it's travel, work, even down time, which there is so little of.

New York has got this sort of wonderful romantic idea of the South.

So when we finally settled down outside of Seattle I felt totally uncomfortable with that idea.

No, well, my father's definitely not Christopher Walken.

My nomadic childhood dramatically fed my eventual decision to be an actor, but not in the way you might think.

I love how people in this business push themselves to know themselves, the world, and their creativity better.

It was a long period of time where I tried to figure out what worked, what didn't work.

I think I've spent so much time playing characters that are so far away from me and learning how to technically build and how to technically put something on top of you.

It's the South that maintains the idea that they're different, which is interesting because nobody else really cares.

At a certain point, even if the one alpha male is dominant, at a certain point there's a younger lion that is stronger, and everyone knows it.

Wrap parties can be really sad, actually, disorienting.

Once everyone else around you starts to become incredibly comfortable - if anything, quite happy with what you are doing - then I start to settling in and trusting all those choices that I've made up to that point.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

When you break up, your whole identity is shattered. It's like death.

MSNBC got some very good people. They've got a good-looking set. All They're first-class. Somewhere along the way, they kind of lost their identity as a news channel, and they started doing a lot of other sort of magazine-type programming.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

Narrative identity takes part in the story's movement, in the dialectic between order and disorder.

As I look back over my life, before I had any real identity, I was a traveler. I grew up an Army brat, a runaway, an activist, and a musician. All my life I've been traveling.

Vietnamese must be made to feel that they are racial inferiors with no right to national identity.

Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.

We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.

As problems like identity theft become more prevalent, now more than ever, Americans need to take their financial health seriously - and this information is of the utmost importance.

Identity theft involving these cards is a growing form of white collar crime, facilitating illegal immigration, banking and accounting fraud, tax evasion, and other nefarious activities.

Against the dark background of this contemporary civilization of well-being, even the arts tend to mingle, to lose their identity.

After that I couldn't show my face outside. I lost my identity and balance. I was still living with my parents, and they were my only friends. For so many people, this thing with the nurse was confirmation that I must be mad or mentally ill.

When you're in a band that's so big when you're young, you kind of lose your identity a little bit. You just become part of the band. I just needed to get away from it.

From the equality of rights springs identity of our highest interests; you cannot subvert your neighbor's rights without striking a dangerous blow at your own.