If they play dirty, then you play dirty.

I have a whole different type of lifestyle.

In football, you can always maim a person if you wanted to.

You can take a substance that works in your system, but then you take this over here that's not banned, and this over here that's not banned, but if you mix them together, you've got a banned substance in your system.

Taking them out of the picture, so to speak, what football really is, the savagery, the core root of football, it doesn't change. It really puts the real in football.

I like companies that try and break away from the norm.

You try to stay within the rules for the sake of the game, but you can always turn up the intensity.

Football is not part of that lifestyle anymore.

You can't tell them anything, but hopefully they will learn from the example and won't have to go through it.

Most of the games don't let you focus too much on the cheerleaders, but I've been watching these girls.

They would almost throw the cops in jail when they tried to arrest me.

And once you cross over into that world, no matter how strong you are, you have to pay the price.

I had everything working my way, strong as a bull. And still I ignored the rules of the game of life.

As players, we always have a way to get back at you.

Steroids are for guys who want to cheat opponents.

And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.

People get hurt all the time in the game of football, it's part of what we do.

But every day I tell my story, and be comfortable with my story and be comfortable with what I've done, and what I did, and how I am today, it lessens the likelihood it will ever happen.

I don't live that life anymore, it's as simple as that.

If I'm going to break them, I'm going to break them both.

First of all, a player has to know what is banned and what is not banned.

I guess another message I'd like to say with this book is no matter how many times you fail... I failed a lot of times trying to get clean, and never thought I'd get to this point.

There were probably about five games in my career where everything was moving in slow motion and you could be out there all day, totally in the zone, and you don't even know where you are on the field, everything is just totally blocked out.

The NFL, and I've played a lot of years for them, and they have a lot of restrictions on their players, they have restrictions on their licensees, they have restrictions on everything.

LT was just a wilder person. I don't go that route no more.

I played one game, and one game played me.

If they play dirty, then you play dirty.

Hopefully the new breed of kids won't have to go through that hard lesson - my kids, my grandkids, my fans' kids, hopefully they won't have to go through it.

He's a cocky sumbitch. That's what makes him such a great player.

Well, actually, I do the voiceover for Quentin Sands.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.