I didn't break into comics to write fairytales or crime comics.

The books are all very, very different so the publishers really had to be different too.

I didn't break into comics to write fairytales or crime comics.

I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.

I don't see one as bring better or more literate than the other and there's a real buzz to not only writing about a character I love like Superman, but also writing something that kids can enjoy.

It's been the most creatively liberating thing I've ever done and so I'm bringing some of that mad enthusiasm to Marvel for the next couple of years as they let me loose on some Marvel Universe titles you'll be hearing about soon.

Likewise, I see no shame in writing Captain America or Wolverine.

I spent as much time writing proposals in '98 and '99 as I did writing scripts.

I didn't want the headache of having a publisher reviewing everything I wrote in advance.

Being the first to do something like this also registers a lot of attention that the line might not have gotten if all four books had just appeared from one company.

At the moment, I have it planned as a six or seven year experiment, but the books will only ever appear in bursts like this every couple of years and only with the best quality artists.

We've had really good mainstream publicity for these books and both Wanted and Chosen were snapped up as movie deals before each series even ended so I'm honestly just pinching myself.

Artists, no matter how good their intentions, are always slower than they think.

The trick was really finding the appropriate publisher for each of the projects I'd devised.

Wanted has gone into second, third and fourth printings of the individual issues and the north American printings of Wanted #1 are now close to 100,000.

Their argument, and I think it's a correct one, is that they'll make more money from the trades and the hardcovers if nobody messes with the creative team.

I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.

I'm honestly as happy writing Superman Adventures as I am writing Wanted.

The breadth of the potential readership is also a factor.

I'd love to do something else for Avatar after this.

However, if I can expand this to Top Cow or Avatar I'm helping the sales, however small, on my Marvel books because I'm almost certain to pick up some new readers.

The animated books pay the lowest rates at the Big Two and you can forget about royalties.

Marvel books also feed into the smaller publishers and the fact that this is happening in the same month we're launching Ultimate Fantastic Four is no coincidence.

What becomes a crime deserving capital punishment when the tables are turned is a matter of small moment when the negro woman is the accusing party.

The seasons come up undisturbed by crime and war.

Examples one finds in the philosophical literature are somebody who's seen the trial of a child of theirs, where they're being proved guilty of some crime that would drive the parent into a depression, maybe a suicidal depression.

He has committed the crime who profits by it.

Dullness is the only crime for which an editor ought to be hung.

Success in crime always invites to worse deeds.

Crime, to the man of the forties, was an alien monstrous terror.

Rather let the crime of the guilty go unpunished than condemn the innocent.

I will never have a drink and get behind the wheel of a car. It's not illegal to drink and drive, but there becomes a certain point where it does become a crime.

I think there's a lot of naivete and hubris within our mix of personalities. That's probably our worst crime. I keep wondering what a "mature" record means.

The world of crime is a last refuge of the authentic, uncorrupted, spontaneous event.

A shocking crime was committed on the unscrupulous initiative of few individuals, with the blessing of more, and amid the passive acquiescence of all.

The infectiousness of crime is like that of the plague.

I didn't break into comics to write fairytales or crime comics.

Powerful states can maintain themselves only by crime, little states are virtuous only by weakness.

One crime has to be concealed by another.

We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.

Next to the love of God, the love of country is the best preventive of crime.

The fact that a player is very short of time is, to my mind, as little to be considered an excuse as, for instance, the statement of the law-breaker that he was drunk at the time he committed the crime.

We are not supposed to go out and kill all those we suspect to have committed a crime.

The worst crime is faking it.

The only medicine for suffering, crime, and all other woes of mankind, is wisdom. Teach a man to read and write, and you have put into his hands the great keys of the wisdom box. But it is quite another thing to open the box.

It means working harder to do the research but I don't really mind - I don't think I have what it takes to chase criminals through back alleys and wade through blood at crime scenes.

Since 1994, unemployment rates are lower. Median household income is higher. A greater percentage of Americans are graduating from college. Home ownership rates are higher. And the violent crime rate has decreased.

The head never rules the heart but just becomes its partner in crime.

If movies are causing moral decay, then crime ought to be going up, but crime is going down.