Well, I'd had the Fat Mattress earlier as a writing outlet for songs and that.

I was the first guy to join the band with Hendrix.

We had no sleep or days off or anything like that and then, when the band became big, Hendrix became a star and looked down at us lot.

On Ain't No Telling I came up with the bass solo.

My lady, Deborah McNaughton is doing a documentary on me.

My personal favourite is Jeff Beck. All the others are wonderful as well.

Hendrix rehearsed different drummers, before we met Mitch Mitchell.

Well, the first day we went through three songs, very basically.

I suppose the old natural stuff would be ok, the old mushroom, but I wouldn't advise anyone to do it.

I took up violin because my best mate had taken it up, so I did likewise.

I'd gone professional when I was about seventeen.

I came to join the Experience by going for an audition for Eric Burdon who was just forming the New Animals at that point, after the original Animals had broken up.

The Fat Mattress consisted of people I'd played with before joining the 'Experience and it was put together as a song writing situation.

Everybody was starting to grow long hair and wear pink suits and purple glasses and stuff and then, I suppose, some people thought we were crazy, but we weren't really crazy because we're all still here!

The first band I was in, I think was called The Strangers. I got the sack because I was too small!

At the age of nine, playing the violin at school, and then onto the mandolin.

I wouldn't know how I would have coped with The Beatles' sort of fame.

But people are now realising why I was playing bass with Hendrix.

Well, I'd had the Fat Mattress earlier as a writing outlet for songs and that.

It was rehearsing in the studio, at which point they were setting up the sound, and once we'd got the thing together they'd actually record it, without us knowing sometimes!

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

I remembered their songs but I had never owned a Beatles album.

I was growing up listening to Queen. Freddie Mercury threw those incredible melodies into his songs.

It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.

I must be careful not to get trapped in the past. That's why I tend to forget my songs.