I turned down a lot of things that were so-called commercial. You're coming out of one film, and then they want you to be in the same one.

Sometimes I think they should set up an asylum for people like that... a whole slew of paparazzi defending their positions.

I would have made a lousy stripper. I'm just not very comfortable exposing myself.

My mother gave me a sense of independence, a sense of total confidence that we could do whatever it was we set out to do. That's how we were raised.

Even the busboys at the restaurants have a script to give you. Everybody is in the business.

Sean's a great, great writer.

Everyone has the answers.

I used to ask Sean questions about acting. He's a brilliant actor, but I could never digest his information. I work primarily on an intuitive level.

Is that romantic fantasy real? Um, after kids, no. Take the kids away, I don't know. Depends.

No nude scenes. No sex-symbol parts. I want people to recognize me for my work, not just for being pretty.

We really enjoy entertaining our children with characters. We'll act out all of The Wizard of Oz together.

If you're happy, if you're feeling good, then nothing else matters.

Sean's a better person when he's directing. He becomes a queen when he's an actor. And he's so unhappy when he's acting.

It makes me believe in fate. In most cases, the readings where I've been really bad have usually been the ones where I got the part.

Unless you're a star in this town, you're really nothing.

I just love getting dirty.

I've always wanted to be able to let myself go over the edge.

I have always been a good mimic.

I'd rather attempt something I'm not sure I can do.

I am not successful, in terms of Hollywood.

Hollywood is a suction for your confidence or your faith or your togetherness. Just walking on the street you can feel it.

Sean's movies are provocative and challenging without being slick.

I like movies that make you think.

After every movie, I always kick myself for the same things-didn't do enough, not enough variation, not enough interesting choices, too bland.

I have such a little face.

It's just poetry, beauty and love. How hard can that be to act?

I like the whole package to be good, It's a rarity that that happens, so I end up not working a lot.

Most of my memories of Texas are of mosquitoes, watermelons, crickets, and my brother teasing me.

I was technically a Valley Girl, even though I absolutely dreaded being called that. I really hated the idea that I was a Valley Girl.

It's what still excites me most about acting: letting your imagination go places it's never been before. There's nothing better than that.

I turned down a lot of things that were so-called commercial. You're coming out of one film, and then they want you to be in the same one.

I could not understand why Meryl Streep, for example, is allowed to work while pregnant and I'm not.

My favorite designers are Levi Strauss and Fruit of the Loom.

I want to be perfect. I don't want to fail. And you always fail.

When I had money in the past, I would always travel rather than spend it on big apartments or cars. And I still feel exactly the same way.

If you get enough sleep, cut back on cigarettes and red meat, you look better the next day.

If youre happy if youre feeling good then nothing else matters.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.